Showing posts with label the road to publication. Show all posts
Showing posts with label the road to publication. Show all posts

Thursday, June 13, 2013

State of the Becky

Heyyyy, all! I hope everyone is doing well, and I hope the USians among you are staying safe amid this swath of summer storms.

Sorry it has been so quiet around here lately! I am still around, lurking and reading all your posts, but I have not had much to post lately. It seems I have finally reached the point in my publishing journey where it's better if I just keep my mouth shut about the specifics until I have something concrete to say - which is not a natural impulse for me, having blogged so heavily about my querying process, but I'm getting used to it! So all I'll say is: all is well, my soul remains uncrushed by this business, and perhaps someday in the future I will be running all over the blogosphere screaming news from the rooftops.

In the meantime, I have hammered out my writing schedule for the foreseeable future, and I am really excited about it. There was a significant period of time last year where I had a lot of half-formed ideas but wasn't truly excited about any of them, but now I'm really happy with my line-up and I can't wait to get to work. And, of course, this allows for the prospect of a new idea coming in and sweeping me off my feet, which is always fun.

Here's what I've got on tap, and the order in which I'll tackle them:

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Project #1: Revisionland! Once again. =P I would have thought that revising a single manuscript so many times would be a tad bit disheartening, but it's actually really fun. There's something really fascinating about working on something you know inside and out -just when you think you're done renovating, you find a whole new floor of the house you haven't even touched yet. Working on this one has really been a crash course in how to be a better writer. I'm just waiting on some notes, and then off I go again.

Project #2: Drafting overhaul. I generally don't do this, but Project #2 is a special case - the drafting process got pretty broken up amidst all my trips to Revisionland, and though I had 60k under my belt in the first draft, I realized I was going into Act Three without any of my usual momentum. And since this is probably one of the most heavily structured stories I've done, I need that momentum!

So once those Project #1 revisions are done, I'm going back to the beginning with Project #2. I won't be starting from scratch, but I can change the things I need to change, and keep the rest consistent. And that'll free me up to plow full speed ahead into the as-yet-unwritten denouement!

Project #3: Drafting! FINALLY. Project #3 has gone through two or three false starts since I came up with the idea a couple years ago, and it's finally ready to go. And I couldn't be happier. It'll take me back in a more surreal, fantastical direction (Project #2 is straight gothic horror), it takes place in one of my favorite cities in the world, and if I do it right, it will give people nightmares. So let's hope I do it right.


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So that's what I'm up to, loves. What are you working on this summer?

Monday, August 29, 2011

On self-doubt, bravado, and revision goggles

Happy Monday, everyone! I had a rather interesting weekend. I was thankfully spared the worst of Irene - the wind and rain was pretty intense, but my electricity hung in there the entire time. And in further good news, my very first editorial letter arrived on Friday night!

Yaaaaaaaaaaaaaaaaaaaaaaay!

You guys. It's the best feedback I've ever gotten. You'd think a critique that clocks in around 2,500 words would be at least a little soul-crushing, but this letter pointed out the story's shortcomings in an extremely helpful and constructive way. This is the sort of critique I strive to write for others: one that does not discourage the writer, but makes them excited to press on.

So I jumped to work on my own set of notes. I brainstormed ways to implement the suggestions made, and I made a list of scenes to add and extend, of which there will be quite a few. The best part about these revisions is that I get to explore entirely new facets of the worldbuilding, mythology, and characters, and I'm already having so much fun thinking it all through.

There is, however, one thing I kept putting off all weekend: the first reread of the MS. Finally, I forced myself to look at the first page...

"Oh God. This is terrible."

The revision goggles are a fearsome thing. I know it can't be as bad as I'm making it out to be, but once I put those goggles on, everything seems wrong. It's like one of those sci-fi disaster movies where the grizzled scientist (played by Bill Pullman) looks at the man-made calamity and grits, "We can't stop it. It's self-sustaining now."

This is where the doubt sets in, through no one's fault but my own. At that moment, I felt the disconnect between what I want my work to be and what it is right now. Can I really make it as amazing as it needs to be to succeed?

For a lot of writers, this is the tricky part. We need some of that self-doubt to keep ourselves grounded. But in order to succeed, we also need a little action hero-style bravado. We need to recognize our shortcomings, but truly believe that somehow, we're going to conquer them. As daunting as challenges can be, they can also be pretty exciting, right?

So for the record: my manuscript, as it is, is not as awesome as I want it to be. But I'm going to make it awesome. I'm going to work hard, and I'm going to put in as much time as it takes. And no matter how this works out, I'm going to be better for it.

Now if you'll excuse me, I'm going to set my cap at a jaunty angle and charge into battle. 

What challenges are you facing right now?

Thursday, August 18, 2011

The day job

Last week, one of the coworkers I'm closest to left our workplace to pursue her dream job. We had a toast in the Big Boss' office, and everyone talked about how great it was that she was going on to do what she loved, and how great it was that we could be her springboard. I was happy for her - I still am - but also a little envious. If I were to tell them all what my dream is, I'd definitely get some looks.

It came out, though, as it always does. We were talking to one of our departing bosses, who asked me what my next step was. I stammered out my usual half-truths and backup plans, when my now-ex-coworker said, "She's going to be a writer."

I froze. But he just replied, "Hm. I feel like I should have known that," and changed the subject.

I've always been safely ensconced within arts communities until now, but DC is a different animal. Everyone is working to move up: to be a politician, or a diplomat, or to obtain some other shiny, important position in this complicated machine. Of course, since I work in the international field, there's a whole other set of acceptable dreams: study abroad adviser, interpreter, or a director for a cultural center. I could do those things, and I would enjoy them. I was drawn here, after all, through my love for my second language and second home in Tokyo.

I like my job, and I like my bosses, but being an assistant here has an unspoken expiration date. And when it comes to the next step, there's only one thing I really, really want - so much that it's hard to think of anything else.

When people at work find out that I write, they inevitably say something about how stressful or time-consuming it must be. And it can be, to an extent. But there are different kinds of stress. There's 'waiting on an elusive contact,' and there's 'diving into a difficult action scene.' There's 'dealing with an angry caller,' and there's 'writing a query to a top agent.' The former examples are stressful, full stop. But with the latter examples, I get that rush of adrenaline. It keeps me going.

A few weeks ago, I met with the agent who I'd be working with on my MS, and I was pretty sure I was going to die before I reached the office door. But it was the feeling I used to get when I did theater, and the feeling I used to get when I participated in Japanese speech contests. I'm nervous to the point where I start to think my heart will break my ribs, but it's one of the best feelings there is. I wouldn't get that feeling if I wasn't doing something I loved.

So when my coworkers talk about the next step in their careers, I smile. I know I'm chasing my dreams, too - even if they don't.

Not yet, anyway.